“Crochet seems to be a great platform for the strange. For me, the weirder the better. I love how all of that ties in. No, there is nothing I won't try to crochet.”
All in Interviews
“Crochet seems to be a great platform for the strange. For me, the weirder the better. I love how all of that ties in. No, there is nothing I won't try to crochet.”
“I don’t want to be limited to certain subjects because I am curious about all things everywhere. Ultimately, I think the variety strengthens my work.”
“I think it is crucial for me to stay directly in touch with eight-year-old Daniel – as that is my core as an artist – and work from that same beautiful mysterious compulsion.”
“There is a lot I can do consulting with collectors like helping them to research and manage their collections. And it has been surprising to find out how many artists would like my help in lining up exhibitions, producing catalogs, and other projects to promote their art.”
“What I really love about clay besides just the love of the material itself is the possibility of invention in the process of just working every day in the studio. That kind of path to new work only happens while working and being deeply involved in the process.”
“I started drawing trees at a very young age. I’m fascinated by trees' growth, size, and roots. I guess I’ve been looking for my roots all my life.”
“I find that the photograph is kind of my connection to reality. Paint becomes an expressive tool on the surface of the paper, but also serves as a way of shielding all the emotions from others.”
“In the art world where ‘concept is king’, I hope to demonstrate that the wholesome concept present in a landscape or portrait can be ennobling. Nature, represented well, has all the concepts within it.”
“The concept of my work is focused on creating a visual message with playing cards, an object that is used for entertainment. But, we are all metaphorically playing a card game as we make life choices.”
“Entering the woods has always been a source of magic and peace for me. Nature for me has always been a master artist to study from.”
“Working with my hands as an artist and maker is a big part of my sense of self. I am seeking fresh perspectives on old stories where the female experience is centered and valued.”
“When parts of your art journey are stressful, try to recontextualize it in terms of gratitude. Remember that these art-related stresses mean you’re fortunate, and that you’re grateful to be on this path moving toward something you love.”
“In my drawing and painting, I am a detail geek. I love to get lost in rendering the details.”
“In all my work, I strive to use every trick and technique that I know through composition, drawing, color, anything I can think of to create the illusion of a deep, believable space with three-dimensional form.”
“I tell people being a found object metal sculptor is a lot like being a hoarder. Typically, I am inspired by the metal objects in front of me, but sometimes I'm not sure where the initial inspiration came from.”
“I think of my sculptures as this representation – the metal structure creates the outline while the glass can swirl, mesh, ooze into something fantastic.”
“I really enjoy making art with the freedom from the constraints of architecture, but with the influence of creating space which feels architectural.”
“I want people to learn from my work that anything you fully pursue passionately in life, it’s going to come with some level of sacrifice, discomfort, and overcoming your battle of emotions throughout the process.”
“I am devoted to watercolor as my medium because, no matter the style or subject matter, I am always drawn to its translucent beauty.”
“Understanding art history is essential to giving context to one’s study of art.”