“We are not ‘investment’ collectors, nor do we collect just to have a more complete representation of Arkansas artists. It is all about the feeling we get when we look at the piece.”
All in Interviews
“We are not ‘investment’ collectors, nor do we collect just to have a more complete representation of Arkansas artists. It is all about the feeling we get when we look at the piece.”
“I dream and imagine fantastic paintings that no one is painting currently or has painted in the past, and I continually endeavor to paint that work.”
“Artwork can be a way to keep memories alive as well as celebrate their ephemeral qualities.”
“I love creating from visually thick words and phrases. I read poems and God paints pictures in my mind.”
“My goal is never to make a piece of art that looks like a photograph, so there is always a hint of surrealism or fantasy or abstraction.”
“There is a difference between what happens in the studio and what is shown. What happens in the studio is living, breathing and vital; what’s shown is history.”
“Life and art share attributes. Some of my favorite shared attributes are surrealism and absurdism.”
“I not only want to make art, but I also want to talk about art, share ideas, and be inspired by other artists.”
“One thing I like to include in my work is a tension between nature’s activity and human activity.”
“My dedication to my art is my way of thanking the community for all they have done to welcome my family.”
“We limit ourselves when we think inspiration must come from some lofty, higher ideas. Inspiration is always around us.”
“I’m hoping that through my art people make the connection that they are a part of nature even at the microscopic level. It is in those unseen parts of ourselves where we can find the networks and connections that are in sync with nature.”
“When I get to work with people it energizes me and feeds my soul. Working with the public to create public art is special in that the art belongs to the community.”
“As a southern artist, in recent years I have realized the need to be more socially conscious. At times my work is surreal, at other times, it is direct.”
“I love ‘being on the ground’ and working individually with community groups, especially when it involves creating awareness and enthusiasm for a community’s cultural assets.”
“When I arrived in the US, with little money to buy art supplies, I was open to embracing a new way of creating art by re-using the piles of paper stuffed in my mailbox daily.”
“I think of illustration as flattened theatre. I am the director, choreographer, and technical designer all in one stroke.”
“I love sharing other artists work and seeing the way they contribute to the urban landscape. We’re all in this together and we have to work together and support each other to keep the creative movement alive.”